Author Archives: Qingyang Freya Zhou
CFP (edited volume): Charting Asian German Film History: Imagination, Collaboration, and Diasporic Representation (ed. Qinna Shen, Zach Ramon Fitzpatrick, Qingyang Freya Zhou)
Since the beginning of 2020, anti-Asian violence saw a sharp increase in Europe and North America, as frustrations about the COVID-19 pandemic were taken out on those marked as Asian or “asiatisch gelesen.” In response to the March 2021 shootings … Continue reading
Reflections on a Postmigrant Turn
Since the beginning of the COVID-19 pandemic in 2020, anti-immigrant violence saw a sharp increase in Europe and North America, as frustrations about the public health conditions and the governments’ responses to the state of crisis resulted in a rising … Continue reading
Überlegungen zu einem Postmigrant Turn
Since the beginning of the COVID-19 pandemic in 2020, anti-immigrant violence saw a sharp increase in Europe and North America, as frustrations about the public health conditions and the governments’ responses to the state of crisis resulted in a rising … Continue reading
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Asian German Filmography: A Teaching Guide
As a rising field within Germanistik, Asian German Studies has been a hotspot for recent scholarship on postcolonialism, orientalism, gender and sexuality studies, area studies, migration studies, and more. Asian German films, along with literature, television series, and new media, … Continue reading
Pandemic Palimpsest: Yoko Tawada’s “Paul Celan und der chinesische Engel”
MGP editor Qingyang Zhou and Jezell Lee, both participants in our series of Zoom workshops with authors, reflect on our event with poet, playwright, and novelist Yoko Tawada, examining the transnational homage and fragmentary intertextuality of her latest novel, 2020’s … Continue reading
Radio Plays about the Crimes of the NSU: Part III – From the Victims’ Perspective
In the last installment of the three-part series on the NSU trial, guest columnist Monika Preuß focuses on the personal narratives of the victims of crimes committed by NSU members. You can read this post in the original German here. … Continue reading
Hörspiele zum NSU-Verbrechen: Teil III – Einblick in die Perspektive der Opfer
In the last installment of our three-part series on the NSU trial, guest columnist Monika Preuß focuses on the personal narratives of the victims of crimes committed by NSU members. You can read this post in English translation here. The … Continue reading
Archiving Memories in Pandemic Times: Documenting Jewish Exile in Shanghai
In spring 2019, the Berkeley Art Museum and Pacific Film Archive (BAMPFA) hosted an event series titled “Afterimage” to showcase renowned German director Ulrike Ottinger’s critically acclaimed documentaries, while inviting her to discuss her research methods and approach to visual … Continue reading
“Ich bin Diskursfeind”: Zafer Şenocak on Unreadable Archives
The second installment (April 2) of the Zoom event series “Archives of Migration: The Power of Fiction in Times of Fake News” invited Turkish-German author Zafer Şenocak in conversation with Deniz Göktürk (Professor of German Studies, UC Berkeley) and Kristin Dickinson … Continue reading
Hörspiele zum NSU-Prozess: Teil II – Auditive Dissonanzen im Gerichtssaal und in der Öffentlichkeit
In this second installment of the three-part blog post series on the NSU trial, guest columnist Monika Preuß analyzes the polyphonic structure of several radio plays and the resulting “Rashomon” effect created by the layering of diverse perspectives of the … Continue reading
The NSU Trial in Radio Plays: Part II – Cacophony in the Courtroom and the Media
In this second installment of the three-part series on the NSU trial, guest columnist Monika Preuß analyzes the polyphonic structure of several radio plays and the resulting “Rashomon” effect created by the layering of diverse perspectives of the trial participants … Continue reading
Against Categorization: On Inanimate Objects as Narrators in Sharon Dodua Otoo’s “Adas Raum”
A village woman who just lost her newborn in 1459 pre-colonial Ghana, a British countess who pioneered the invention of the computer with her exceptional mathematical talents in 1848, a Polish inmate forced into prostitution in a Nazi concentration camp … Continue reading
Hörspiele zum NSU-Prozess: Teil I – “Saal 101”
The 2021 election year in Germany is destined to be a year of heated political debates on the country’s past and future. While right-wing extremism is still on the rise in some parts of Germany, politicians and legal practitioners are … Continue reading
The NSU Trial in Radio Plays: Part I – “Saal 101”
The 2021 election year in Germany is destined to be a year of heated political debates on the country’s past and future. While right-wing extremism is still on the rise in some parts of Germany, politicians and legal practitioners are … Continue reading
Acts of Border Crossing in G. W. Pabst’s Comradeship (Kameradschaft, 1931)
On October 8, 2020, Yiddishkayt, an organization dedicated to the presentation and broadcasting of the legacy of Jewish culture, held a panel discussion on German film director Georg Wilhelm Pabst’s 1931 classic, Comradeship (Kameradschaft), as part of the organization’s LAYKA … Continue reading
