In this second installment of the three-part blog post series on the NSU trial, guest columnist Monika Preuß analyzes the polyphonic structure of several radio plays and the resulting “Rashomon” effect created by the layering of diverse perspectives of the trial participants and the general public. You can read an English translation of this text ...
The Human Flow (2018)
Soul Kitchen (2009)
The Cut (2014)
Türkisch für Anfänger (2006-2009)
Fack ju Göhte (2014)
Im Angesicht des Verbrechens (2010)
Der schöne Tag (2001)